Libros catálogo de títulos suscriptos

SciELO Books - Editora UNESP, 2011.

ISBNs 9788579830983

Colección: Directory of Open Access Books

SciELO Books - Editora UNESP, 2015.

ISBNs 9788579837074

Colección: Directory of Open Access Books

ANU E Press, 2015.

ISBNs 9781925022292 9781925022285

Colección: JSTOR

Resumen (en inglés): This is the first book whose subject is the music, sounds and silences of Antarctica. From 2011 until 2014, Australia marked its long-standing connection with Antarctica by celebrating the centenary of the Australasian Antarctic Expedition. The icy continent, with its extremes of climate and environment and unique soundscapes, offers great potential for creative achievements in the world of music and sound. This book demonstrates the intellectual and creative engagement of artists, musicians, scientists and writers. Consciousness of sounds — in particular, musical ones — has not been at the forefront of our aims in polar endeavours, but listening to and appreciating them has been as important there as elsewhere.

Licencia de uso: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

SciELO Books - EDUFBA, 2006.

ISBNs 9788523208844

Colección: Directory of Open Access Books

University of California Press, 2005.

ISBNs 9780520962590

Colección: JSTOR

Resumen (en inglés): Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues -some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues from The Well-Tempered Clavie - C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland, BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.

Licencia de uso: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

University of California Press, 2015.

ISBNs 9780520962590 9780520287631

Colección: Directory of Open Access Books

Resumen (en inglés): Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving.

De Gruyter, 2016.

ISBNs 9783110488319 9783110491210

Colección: Directory of Open Access Books

ANU E Press, 2011.

ISBNs 9781921862410 9781921862403

Colección: JSTOR

Resumen (en inglés): This book represents the first critical survey of a section of a rich Australian corpus of chamber music. The author has included various instrumental combinations with piano as well as vocal music with piano. The survey is chronological, as well as by composer. An appendix to the work provides source material for future research into this area. The research has concentrated on progressive modernist music by Australian composers. The commentary utilises the author's rich experience as composer, pianist and educator.

Licencia de uso: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

ANU Press, 2011.

ISBNs 9781921862410

Colección: Directory of Open Access Books

Resumen (en inglés): This book represents the first critical survey of a section of a rich Australian corpus of chamber music. The author has included various instrumental combinations with piano as well as vocal music with piano. The survey is chronological, as well as by composer. An appendix to the work provides source material for future research into this area. The research has concentrated on progressive modernist music by Australian composers. The commentary utilises the author’s rich experience as composer, pianist and educator.

Universitätsverlag Göttingen, 2015.

ISBNs 9783863952242

Colección: Directory of Open Access Books

Resumen (en inglés): Durchbricht man das starre Denkmuster einer Trennung von Leben und Kunst, so rücken bisher versteckte Orte des Wissens in den Vordergrund. Auf der Suche nach diesen neuen Wissens-Orten, nach Mikrokosmen und deren Resonanzen in der Musikkultur im Europa des 19. Jahrhunderts soll dieser Band mit seinen verschiedenartigen Beiträgen ein stimmungsvolles und ebenso mosaikhaftes Bild wiedergeben, das uns auffordert, das Kulturleben dieser, aber auch anderer Epochen in seiner ganzen Vielfalt wahrzunehmen und zu begreifen. Die Texte des vorliegenden Bandes fassen einige der Freien Referate zusammen, die beim 15. Internationalen Kongress der Gesellschaft für Musikforschung „Music | Musics. Structures and Processes“ vom 5.–8. September 2012 in Göttingen gehalten worden sind. Mit Beiträgen von Merle Fahrholz, Axel Fischer und Matthias Kornemann, Melanie von Goldbeck, Christine Hoppe, Martin Knust und Ingela Tägil, Marie Winkelmüller und Christhard Zimpel.