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Gran Área: Ciencias sociales
Área: Comunicación y medios
Subárea: Medios y comunicación socio-cultural

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Resultado: 220 registro(s)

5275

Communicating European Research 2005

Proceedings of the Conference, Brussels, 14-15 November 2005

 

13th ed. Berlin, Heidelberg: Springer Science+Business Media, 2007.

ISBNs 9781402053573 9781402053580

Colección: SpringerLink


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646

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Communicating, Networking

Interacting

 

1st ed. Springer International Publishing, 2016.

Título de la serie/colección: SpringerBriefs in Global Understanding . ISSN 2509-7784,

ISBNs 978-3-319-45470-2 978-3-319-45471-9

Colección: SpringerLink

Licencia de uso: The Editor(s) (if applicable) and The Author(s)


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890

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Communicative Figurations

 

1st ed. Springer International Publishing, 2018.

Título de la serie/colección: Transforming Communications – Studies in Cross-Media Research. ISSN 2730-9320,

ISBNs 978-3-319-65583-3 978-3-319-65584-0

Colección: SpringerLink

Licencia de uso: The Editor(s) (if applicable) and The Author(s)


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619

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Companion to European Heritage Revivals

 

Springer International Publishing, 2014.

ISBNs 978-3-319-07769-7 978-3-319-07770-3

Colección: SpringerLink

Licencia de uso: The Editor(s) (if applicable) and the Author(s)


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28159

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Controlling in wissenschaftlichen Verlagen - Analyse IT-induzierter Veränderungen wissenschaftlicher Verlage und Konzeption ausgewählter Controlling-Instrumente ; Internetökonomie

 

Universitätsverlag Göttingen, 2007.

ISBNs 9783940344090

Colección: Directory of Open Access Books

Resumen (en inglés): Compared with other industries, scientific publishing has a centuries-old tradition. However, it is currently the development of digital information and communication technologies in probably the biggest upheaval since the invention of the printing press. Björn Ortelbach deals with the impact of technological development in the scientific publishing industry from a business point of view. In the first part of the book he analyzes how value added cost structures and business models of publishers change. The second part of the book deals with the impact of these changes on the control of these companies. Based on the previously worked out specifics of the industry design proposals for the use of controlling mechanisms are developed.


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23590

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Corporate blog as an emerging genre of computer-mediated communication, The

features, constraints, discourse situation

 

Universitätsverlag Göttingen, 2010.

ISBNs 9783941875555

Colección: Directory of Open Access Books

Resumen (en inglés): Digital technology is increasingly impacting how we keep informed, how we communicate professionally and privately, and how we initiate and maintain relationships with others. The function and meaning of new forms of computer-mediated communication (CMC) is not always clear to users on the onset and must be negotiated by communities, institutions and individuals alike. Are chatrooms and virtual environments suitable for business communication? Is email increasingly a channel for work-related, formal communication and thus "for old people", as especially young Internet users flock to Social Networking Sites (SNSs)? Cornelius Puschmann examines the linguistic and rhetorical properties of the weblog, another relatively young genre of CMC, to determine its function in private and professional (business) communication. He approaches the question of what functions blogs realize for authors and readers and argues that corporate blogs, which, like blogs by private individuals, are a highly diverse in terms of their form, function and intended audience, essentially mimic key characteristics of private blogs in order to appear open, non-persuasive and personal, all essential qualities for companies that wish to make a positive impression on their constituents.


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10517

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Craftspeople and Designer Makers in the Contemporary Creative Economy

 

1st ed. Springer International Publishing, 2020.

Título de la serie/colección: Creative Working Lives. ISSN 2662-415X,

ISBNs 978-3-030-44978-0 978-3-030-44979-7

Colección: SpringerLink

Licencia de uso: The Editor(s) (if applicable) and The Author(s)


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10180

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Crisis Reporters, Emotions, and Technology

 

1st ed. Springer International Publishing, 2019.

ISBNs 978-3-030-21427-2 978-3-030-21428-9

Colección: SpringerLink

Licencia de uso: The Editor(s) (if applicable) and The Author(s)


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23623

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Critical Theory of Communication

New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet

 

University of Westminster Press, 2016.

ISBNs 9781911534044 9781911534051 9781911534068 9781911534075

Colección: Directory of Open Access Books

Resumen (en inglés): "This book contributes to the foundations of a critical theory of communication as shaped by the forces of digital capitalism. One of the world's leading theorists of digital media Professor Christian Fuchs explores how the thought of some of the Frankfurt School’s key thinkers can be deployed for critically understanding media in the age of the Internet. Five essays that form the heart of this book review aspects of the works of Georg Lukács, Theodor W. Adorno, Herbert Marcuse, Axel Honneth and Jürgen Habermas and apply them as elements of a critical theory of communication's foundations. The approach taken starts from Georg Lukács Ontology of Social Being, draws on the work of the Frankfurt School thinkers, and sets them into dialogue with the Cultural Materialism of Raymond Williams.Critical Theory of Communication offers a vital set of new insights on how communication operates in the age of information, digital media and social media, arguing that we need to transcend the communication theory of Habermas by establishing a dialectical and cultural-materialist critical theory of communication. It is the first title in a major new book series 'Critical Digital and Social Media Studies' published by the University of Westminster Press."


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23629

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Crowd Scenes

Movies and Mass Politics

 

Fordham University Press, 2008.

Título de la serie/colección: Knowledge Unlatched (KU).

ISBNs 9780823229017

Colección: Directory of Open Access Books

Resumen (en inglés): The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses—the crowd scenes—in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions.


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