Criterios de búsqueda

Gran Área: Ciencias sociales
Área: Comunicación y medios
Subárea: Medios y comunicación socio-cultural

Búsqueda

 


Resultado: 220 registro(s)

936

Acceso abierto

Access to Online Resources

 

1st ed. Springer International Publishing, 2018.

ISBNs 978-3-319-73989-2 978-3-319-73990-8

Colección: SpringerLink

Licencia de uso: The Editor(s) (if applicable) and The Author(s)


Cobertura temática

Acceder

24490

Acceso abierto

Actors and the Art of Performance

 

1st ed. Palgrave Macmillan UK, 2016.

Título de la serie/colección: Performance Philosophy.

ISBNs 978-1-137-59633-8 978-1-137-59634-5

Colección: SpringerLink

Licencia de uso: The Editor(s) (if applicable) and the Author(s)


Cobertura temática

Acceder

28103

Acceso abierto

Affektökologie

Intensive Milieus und zufällige Begegnungen

 

meson press, 2017.

ISBNs 9783957960900 9783957960917

Colección: Directory of Open Access Books


Cobertura temática

Acceder

10541

Acceso abierto

Affirmative Aesthetics and Wilful Women

 

1st ed. Springer International Publishing, 2020.

ISBNs 978-3-030-37038-1 978-3-030-37039-8

Colección: SpringerLink

Licencia de uso: The Editor(s) (if applicable) and The Author(s)


Cobertura temática

Acceder

23001

Acceso abierto

After the Break

Television Theory Today

 

Amsterdam University Press, 2013.

ISBNs 9789089645227

Colección: Directory of Open Access Books

Resumen (en inglés): Television as we knew it is irrevocably changing. Some are gleefully announcing the death of television, others have been less sanguine but insist that television is radically changing underneath our eyes. Several excellent publications have dealt with television's uncertain condition, but few have taken the specific question of what television's transformations mean for the discipline of Television Studies as a starting point. The essays collected in this volume aim to fill this void. Two fundamental questions string the various contributions together. First, is television really in crisis or is the present not so extraordinary when revisiting television's development? Second, should we invent new theoretical concepts or are our old ones still perfectly relevant? To answer such questions the authors in this volume take up diverse case studies, ranging from the academic series Reading Contemporary Television to Flemish Fiction, from nostalgic programming on broadcast television to YouTube, from tell-sell television shows to public television art in the 1980s.


Cobertura temática

Acceder

4937

Acceso abierto

Agency@?

Cyber-Diskurse, Subjektkonstituierung und Handlungsfähigkeit im Feld des Politischen

 

Böhlau, 2005.

Título de la serie/colección: Austrian Science Fund (FWF).

ISBNs 9783205773276

Colección: Directory of Open Access Books

Resumen (en inglés): Considering the abundant promises and euphoric expectations (as well as apocalyptic visions of technology) that still dominate discourses on media and technology my analysis focuses on their cultural and social condition, the specific moment of their emergence, their continuous persistence, their socio-symbolic function, and their implications for social contexts of thought and perception and for hegemonic relations. The techno-deterministic notion of a ‚paradigm change', the proclamation of a ‚radically new' definition of the subject and the idea of a technically conditioned abolition of traditional dichotomies is in fact contrasted by a striking adherence to conventional and dichotome models of thought and of representation, and to the idea of an autonomous and technologically perfectionable subject. My analysis will on the one hand focus on the function of exaggerated visions of technological development (predicating a dissolution of space, time, matter and identity) and the function of ideas of ‚alternative', ‚virtual' ‚spaces' for establishing specific notions of ‚society' - indicating a specific relation of phantasm and symptom as I will show. On the other hand I will develop the definition of a political subject - not conceived as a sovereign actor, nor as an arbitrary variety, but rather as constituted on the basis of a structural impossibility inherent in language and which alone can be, due to this very impossibility or antagonism a subject of the political. In the course of this argument the notion of sexual difference will be critically revised. Furthermore I will develop a definition of agency adequate to provide the grounds and the argumentative tools for the contestability of cultural and social constructs. My emphasis will be on the interdependencies of these questions and I will base my arguments on a notion of Cyberspace that defines it as a socio-symbolic construct comprising both technical implementations as well as the respective discourses and which continuously has to be negotiated. My approach combines structural psychoanalytical theory, hegemony studies, art theory, film theory, media studies, gender studies and cultural studies. As a transdisciplinary critical theory of representation and considering its statement of problems, as well as its focus, it differs from predominant approaches to current developments of technology to create perspectives on current technological dispositives and media constellations beyond prevalent techno-euphoric or pessimistic views.


Cobertura temática

Acceder

23027

Acceso abierto

Alleys of Your Mind

Augmented Intelligence and Its Traumas

 

meson press, 2015.

ISBNs 9783957960658 9783957960665

Colección: Directory of Open Access Books


Cobertura temática

Acceder

23028

Acceso abierto

Almost Hollywood, Nearly New Orleans

The Lure of the Local Film Economy

 

University of California Press, 2017.

ISBNs 9780520293816 9780520967175 9780520967175 9780520967175

Colección: Directory of Open Access Books

Resumen (en inglés): Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policy? Why would citizens accept the policyâ s uncomfortable effects on their economy and culture? Almost Hollywood, Nearly New Orleans addresses these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisianaâ a city that has twice taken the mantle of becoming a movie production capital. From the silent era to todayâ s Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably.


Cobertura temática

Acceder

23034

Acceso abierto

Alternative and Mainstream Media

 

Bloomsbury Academic, 2011.

Título de la serie/colección: 2011.

ISBNs 9781849665421

Colección: Directory of Open Access Books


Cobertura temática

Acceder

10216

Acceso abierto

Architecture and the Novel under the Italian Fascist Regime

 

1st ed. Springer International Publishing, 2019.

ISBNs 978-3-030-19427-7 978-3-030-19428-4

Colección: SpringerLink

Licencia de uso: The Editor(s) (if applicable) and The Author(s)


Cobertura temática

Acceder


Los iconos de las disciplinas fueron generados desde flaticon.com bajo licencia CC BY.