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Área: Artes
Subárea: Historia del arte

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Resultado: 123 registro(s)

28105

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Akademische Strenge und künstlerische Freiheit - die Gemälde des 19. Jahrhunderts in der Kunstsammlung der Universität Göttingen ; Bestandskatalog

 

Universitätsverlag Göttingen, 2013.

ISBNs 9783863951023

Colección: Directory of Open Access Books

Resumen (en inglés): Die Kunstsammlung der Universität Göttingen ist vor allem für ihren Bestand an Niederländischer Kunst des 17. Jahrhunderts bekannt. Dass sie darüber hinaus auch eine Kollektion von Gemälden des 19. Jahrhunderts umfasst, die einige wirkliche Schätze enthält, gleicht einer Neuentdeckung. Diese Kollektion wird hier erstmals in einem eigenen Bestandskatalog vorgestellt. Obwohl es sich um eine eher kleine Sammlung handelt, erweist sich diese doch als erstaunlich repräsentativ, um das Kunstverständnis des 19. Jahrhunderts mit seinen wechselnden Prämissen sowie kunsttheoretischen und künstlerischen Auseinandersetzungen an konkreten Kunstwerken aufzuzeigen. Eine zentrale Rolle spielt dabei die Gattungstheorie: Die seit der Frühen Neuzeit vertretene Ausdifferenzierung der Malerei in profane und religiöse Historie, Genre, Landschaft, Stillleben, Tierstück und Porträt wurde über das gesamte 19. Jahrhundert hinweg kontrovers diskutiert, blieb aber als wertsetzendes System lange präsent. Der vorliegende, von Dozenten und Studierenden des Kunstgeschichtlichen Seminars der Universität Göttingen gemeinsam erarbeitete Bestandskatalog nutzt die Gattungstheorie als „roten Faden“, um eine historische Perspektive auf den Bestand der Gemälde des 19. Jahrhunderts in der Göttinger Universitätskunstsammlung anzubieten.


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28563

Acceso abierto

Alberto Martini (1931-1965)

 

Ledizioni - LediPublishing, 2016.

ISBNs 9788867054206

Colección: Directory of Open Access Books


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22552

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Album

 

Wallstein Verlag, 2013.

Título de la serie/colección: Austrian Science Fund (FWF).

ISBNs 9783835311749

Colección: Directory of Open Access Books

Resumen (en inglés): The twenty-tow contributions in this transnational and interdisciplinary volume delve into the material, symbolic and aesthetic dimensions of the album format using approaches from the fields of cultural studies, literary studies and media studies. This Publication unites perspectives from English, American, German, Romance, Slavic, archive and film studies, history, art history, musicology and philosophy to explore this culturally significant ‚networking’ medium.The starting point for all of the contributions in the publication is the album format, which, with ist inscriptions and non-verbal semantics, can integrate, represent and symbolically reproduce all forms of media and culture. The volume’s main interest is the interconnectedness: The album has the innate abily to unify the most diverse subject areas. Representation, mobility, migration and memory, multiculturalism and the formation of communities, materiality and the culture of things, the discourse of friendship, family history, generational narratives, and transmedia experimentation in remolding genres and art forms all have a place in the album, as it can transform anything into one coherent aesthetic system.


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28564

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Alessandro Baudi di Vesme e la scoperta dell’arte in Piemonte

 

Ledizioni - LediPublishing, 2015.

ISBNs 9788867053827

Colección: Directory of Open Access Books


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4973

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Allegorie der Austria, Die

 

Böhlau, 2007.

Título de la serie/colección: Austrian Science Fund (FWF).

ISBNs 9783205775805

Colección: Directory of Open Access Books

Resumen (en inglés): The intention of this paper is to give a correct inside in the review of the discussed periods. It tries to achieve this by using the means of Art History and Political History to get an exact inside. The allegorical representation of the Austria in this case is the means to get it. It stands for the specific aspects of the time, so for instance the dynastic Austria with the crown of Emperor Rudolph II. meaning the predominance of the ruling Habsburgs, the civic Austria with the mural crown showing the ideas of the middle class, especially in the German speaking parts of the country, with the acceptance of the predominance of the state over the ruler, according to Hegel, or also the victorious Austria with the laurel wreath as a symbol of the conquest of the revolution of 1848. The Habsburg monarchy including many different nations was the proper breeding ground of dissatisfaction and diversified nationalistic ideas. So the representation of the Austria is an important means of showing these ideas. The periods the paper is working on are roughly speaking starting with the time of the beginning of the position of the monarchy as one of the ruling powers of Europe until her dissolution and the end of World War I. Different aspects of art history are also dealt with. So for example the 13 portraits of Habsburg rulers in the Museum Nordico at Linz, which are positioned in the time of Rudolph II. and mark the beginning of the representation of the allegory of the Austria, or the designs for monuments by Otto Wagner which are dealt with in the many books on this architect only as a side issue, whereas they are a very important part of wagners work and show his national feelings, towards his fatherland. It is furthermore interesting to look at the nationalistic problems shown in this paper and compare them with contemporary Europe and the overcoming of them. These ideas are not new, the date back to the 19th and especially the beginning of the 20th century when the Monarchy tried to overcome the problems with the slogan of Großösterreich (Greater Austria). During World War one followed the idea of Mitteleuropa (Central Europe) including Turkey and the institution of a Polish State to hold off revolutionary Russia


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22682

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Allemaal beestjes. Mortaliteit en morbiditeit in Vlaanderen, 18de-20ste eeuw

 

Academia Press, 2006.

ISBNs 9789038209043

Colección: Directory of Open Access Books

Resumen (en inglés): This book treats the spectacular rise in life expectancy during the last three centuries. It is the first study to bring together both published and unpublished material about the history of the health of Belgian men and women and to analyze it critically. Isabelle Devos studies the mechanisms of the historic fall in the death rate in an original manner and answers the question why research on the causes of this decline has not progressed faster. While the discipline of historical demography orients the first part of her book, the discipline of historical epidemiology provides the perspective taken in the second part, in which the role of insects as spreaders of disease is explored. Essential in her study is the importance of local medical practitioners who already at the end of the Ancien Régime warned of the dangers present in the environment. Their ‘ecological’ thinking created a consciousness that was decisive for the further development of healthcare.


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22564

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Antike Malerei zwischen Lokalstil und Zeitstil, Tafelband

 

Verlag der Österreichischen Akademie der Wissenschaften, 2015-02.

Título de la serie/colección: Austrian Science Fund (FWF).

ISBNs 9783700176589

Colección: Directory of Open Access Books

Resumen (en inglés): Under the main theme “Ancient Painting between Local Style and Period Style”, 150 specialists from 16 nations dedicated themselves in September 2010 in Ephesus to the characteristics of period and/or local styles in ancient painting and to the relationship and influence of local styles and traditions. The publication at hand presents the 45 lectures regarding the general topic as well as 17 further contributions on novitates and 40 posters.


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22565

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Antike Malerei zwischen Lokalstil und Zeitstil, Textband

 

Verlag der Österreichischen Akademie der Wissenschaften, 2015.

Título de la serie/colección: Austrian Science Fund (FWF).

ISBNs 9783700176589

Colección: Directory of Open Access Books

Resumen (en inglés): Under the main theme “Ancient Painting between Local Style and Period Style”, 150 specialists from 16 nations dedicated themselves in September 2010 in Ephesus to the characteristics of period and/or local styles in ancient painting and to the relationship and influence of local styles and traditions. The publication at hand presents the 45 lectures regarding the general topic as well as 17 further contributions on novitates and 40 posters.


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6181

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Architekten-und Designer-Ehepaar Jacques und Jacqueline Groag

 

Böhlau, 2005.

Título de la serie/colección: Austrian Science Fund (FWF).

ISBNs 9783205773009

Colección: Directory of Open Access Books

Resumen (en inglés): This manuscript is based on the results of a research project (No. 7726), carried out at the Institute for the History of Art (University of Vienna) under the direction of Professor Dr. Peter Haiko, and sponsored by the Jubilee Funds of the Austrian National Bank. The artists Jacques Groag (b. Olomouc, February 5, 1892, d. London, January 26, 1962) and his wife Jacqueline (née Hilde Blumberger, b.Prague, April 6, 1903, d. London, January 13, 1986) belong to those representatives of the Viennese Modernists between the two World Wars who are now forgotten, due to the fact that, being Jews, they were forced to emigrate in 1938. In the early phase of his career Jacques Groag worked as an assistant and executing architect for Adolf Loos (Moller house, 1927) and Ludwig Wittgenstein (Wittgenstein house, 1928) and co-operated with the interior designers Friedl Dicker and Franz Singer (Heller tennis club house, 1928). After that, in independent practice he realized a considerable number of remarkable architectural projects in Vienna and native Moravia (now Czech Republic), among others a pair of semi-detached houses at the Werkbundsiedlung, a house for the actress Paula Wessely, a country house for the industrialist Otto Eisler, several houses for other private clients, but also industrial buildings. At this time he was regarded as one of the most important followers of Adolf Loos. He also enjoyed remarkable success as a designer of interiors, and was befriended to many Viennese artists such as the painters Sergius Pauser and Josef Dobrowsky, the sculptor Georg Ehrlich and the photographer Trude Fleischmann. His wife Jacqueline, a student of Franz Cizek and Josef Hoffmann at the Wiener Kunstgewerbeschule, between the wars was active as a designer of textiles for the Wiener Werkstätte and for fashion houses in Paris. After the couple's emigration to England in 1939 Jacques Groag could only find commissions as a designer of interiors and furniture, but found no opportunity to realize architectural projects. As a team, Jacques and Jacqueline made important contributions to prominent exhibitions on British design in the post-war period. Jacqueline, who outlived her husband for more than twenty years, continued her career as a successful textile designer until her late age.


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28122

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Architekturzeichnungen der deutschen Renaissance

Funktion und Bildlichkeit zeichnerischer Produktion 1500–1650

 

Modern Academic Publishing, 2016.

ISBNs 9783946198048 9783946198079 9783946198055 9783946198062

Colección: Directory of Open Access Books

Resumen (en inglés): ation such as the registry, the library, and the armoury, but also in the Cabinet of Curiosities, or in the architect’s personal archive. Even with only a small number of known approaches theorizing architectural drawings and design practices during the 16th century, it is possible to reveal a broad influence on drawing theories, especially by perspective treatises and the so-called »Visier- und Messkunst« (measuring). Reconstructing the various places of producing, collecting, displaying, and studying architectural drawings shows that architectural drawings were a crucial part in cultural processes of understanding, organizing, and dealing with the built environment.


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