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Gran Área: Humanidades
Área: Artes
Subárea: Teatro y dramaturgia

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Resultado: 23 registro(s)

24455

Hot Thespian Action! 10 Premiere Plays from Walterdale Playhouse

 

Athabasca University Press, 2008.

Título de la serie/colección: Canadian Plays. ISSN 1917-5094,

ISBNs 9781897425268 9781897425275

Colección: Directory of Open Access Books


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25329

Nightwood Theatre A Woman’s Work Is Always Done

 

Athabasca University Press, 2010.

Título de la serie/colección: Canadian Plays. ISSN 1917-5094,

ISBNs 9781897425558 9781897425565

Colección: Directory of Open Access Books

Resumen (en inglés): Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the “home company” for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company’s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood’s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S.


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22324

Passionate Amateurs

Theatre, Communism, and Love

 

University of Michigan Press, 2013.

Título de la serie/colección: Theater: Theory/Text/Performance.

ISBNs 9780472900008

Colección: JSTOR

Resumen (en inglés): Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism.Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin’s “Program for a Proletarian Children’s Theatre," the first major consideration of Godard’s La chinoise as a “theatrical" work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene. Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world.

Licencia de uso: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International


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27618

Pères du théâtre médiéval, Les

 

Presses universitaires de Rennes, 2010.

ISBNs 9782753511088 9782753547094

Colección: Directory of Open Access Books


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27641

Plaire et instruire

 

Presses universitaires de Rennes, 2007.

ISBNs 9782753503632 9782753546615

Colección: Directory of Open Access Books


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27754

Régie théâtrale et mise en scène

 

Presses universitaires du Septentrion, 2014.

ISBNs 9782757406748 9782757414217

Colección: Directory of Open Access Books


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27841

Shakespeare au XXe siècle

 

Presses universitaires de Rennes, 2007.

ISBNs 9782753503724 9782753527126

Colección: Directory of Open Access Books


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22327

Spectacular Disappearances

Celebrity and Privacy, 1696-1801

 

University of Michigan Press, 2016.

ISBNs 9780472900619

Colección: JSTOR

Resumen (en inglés): How can people in the spotlight control their self-representations when the whole world seems to be watching? The question is familiar, but not new. Julia Fawcett examines the stages, pages, and streets of eighteenth-century London as England's first modern celebrities performed their own strange and spectacular self-representations. They include the enormous wig that actor Colley Cibber donned in his comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of Tristram Shandy, a memorial to the parson Yorick (and author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to heighten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, a.k.a. Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression," the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. The book provides an indispensable history for scholars and students in celebrity studies, performance studies, and autobiography—and for anyone curious about the origins of the eighteenth-century self.

Licencia de uso: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International


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27859

Spectateurs en dialogue

L’énonciation dans le théâtre de Sa‘dallah Wannous de 1976 à 1978

 

Presses de l’Ifpo, 2006.

ISBNs 9782351590188 9782351594933

Colección: Directory of Open Access Books


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27896

Théâtre n’existe pas, Le

 

Collège de France, 2011.

ISBNs 9782213662404 9782722601246

Colección: Directory of Open Access Books


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